
By Shaun McMichael
This last November, I had the privilege of attending one of Art with Heart’s Intensive Chill & Spill trainings in south Seattle. I knew the two-day training would offer a step by step break down of each activity in Chill & Spill and prompt participants to respond by making art themselves. As a fiction writer and collage dabbler, I was excited to spend two whole days being creative. As a professional who works with at risk youth, I was even more excited to be equipped with another therapeutic tool. At the time I was in need of some inspiration.
A year ago, I’d been hired to teach creating writing to homeless youth interns at our Zine Project where homeless youth 15-22 become paid interns to learn, work and write for eight weeks, sixteen hours a week. Their work culminates in the creation of a Zine or mini-magazine.

Ziners Group Jan. 2011
With a background in helping troubled kids produce writing, I was well poised for the challenge and in six months, I’d walked fourteen kids successfully through the program. The work produced by youth under my facilitation was receiving accolades from my fellow service providers; and while I too was impressed with the depth and sincerity of expression the youth put into their Zines, part of me felt something was missing.
With a few exceptions, most of my interns had just plucked pics from Google and pasted them in and around their very raw and personal writing. There was something inauthentic and even contrived about the stock photo clips and I began encouraging youth not to use them. Images are key attention grabbers in any publication.

Zine page made by a young author inspired by Chill and Spill Activity
Pictures, paintings, and collages can convey infinite amounts of meaning through depiction of well thought out symbols. In professional publications, images enhance the text being read, rather than distracting from or undermining. I wanted my youth writers to have access to the power of imagery. But I wasn’t an art teacher. I tried to facilitate collage exercises, but I lacked the language or the confidence to push kids to get original with their visuals. Without inspired facilitation, youth merely cut out whole pages of National Geographic, slapped some glue on them and thought that was original enough.
Thankfully, my Chill & Spill trainers Annie and Steffanie breathed some life into my art game. “What if a kid says they can’t draw?” Annie, the lead trainer, asked at the beginning of the training. The classroom was quiet. “If they can draw a circle or a straight line, they can draw well enough for our purposes,” she responded. “This isn’t art class”. Chill and Spill encourages kids to draw by freeing them from the confines of realism or performance. The Chill & Spill books are their personal journals; no one else has to look at them. With this license, youth are more likely to explore themselves creatively and discover reoccurring symbols in their own narratives.

Zine page made by a young author inspired by a Chill & Spill Activity
The training, in its breakdown of each Chill & Spill activity, continued to empower me to prompt kids to access their art making sides. The training’s most evocative demonstration involved Chill & Spill activity “Powerful and Powerless”. The activity asks youth to write a list of things that make them feel powerful; then a list of things that make them feel powerless. Youth are then asked to depict each. Chill & Spill writer Steffanie Lorig, a visual artist in her own right, showed us how to use magazine clippings as make-shift stencils that can create unique and stunning figures, totally original and metaphorically compelling.
I’m happy to say I had the opportunity to put this training into practice the very next day in Zine. It would take another month to fully implement the Chill & Spill activities into my language arts curriculum; but the effort was worth it. The first group of Ziners I tried Chill & Spill with responded and pumped out the most astounding, personal and original collection of Zines I’ve seen yet.

A proud Ziner shows off her mini-magazine.
Chill & Spill’s therapeutic arc provides a structure that was both flexible and focused and can work in any environment that seeks to involve youth in the habit of art making. The material has a resonance to youth of varying ages and artistic ability and is a great invitation for art therapists, teachers, counselors and case managers to prompt kids to create and express.